
A series of fifty paintings of the frenzy actress Marilyn Monroe, represented like Byzantine Icon in a diptych format, is the masterpiece called The Marilyn Diptych by Andy Warhol and the symbol I am loss to analyse within this essay.
The reason Ive chosen this protrude is at first appearance it might seem an facile piece of art to make, as it is always reproducing the same image of Marilyn, the one and only subject matter of the masterwork, but flavour deeper than just its visual features, its concealing many meanings tush its repetitions and the way the colour tones have been used .
Photographs have meanings deeper than what appears on their surfaces. The surface meanings is obvious and evident about what is pictured, and the deeper meanings are implied by what is pictured and how is pictured.( Barrett p.48)
It s a silkscreen ink on synthetic polymer paint on canvas, formed by devil panels, each of 208.3 x 144.8cm, one of them coloured using six different colours and the other one in murky and white.
Warhol bring outd this painting after Marilyn Monroe suicide in 1962 to commemorate the famous actress and it was exhibited in his 1962 debut show.
The image that he chose to use for her commemoration, it s a picture taken 1953 by Gene Kornman to arouse the film Niagara. It represents Marilyn under the spotlights and it s a face determination up. He cropped the original publicity photograph and turned it into a postage stamp image style.
In order to create its final coloured paintings, he build up the images in reverse. First he under painted the background and several(prenominal) of its colourful areas, like the pink face, the red lips and the golden hair, therefore he overprinted the silk-screened photographic image of the actress.
According to how heavily or thinly the screens were inked, some of them reproduce her facial features disappeared behind a black pall, while some others show her...If you want to bushel a full essay, order it on our website: Ordercustompaper.com
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