eve must be considered in relation to Adam, for she was formed from Adam and is inextricably bound with him in the garden. Her form differs from his and is in every way inferior as described by Milton. She represents imagination and fancy, while Adam represents reason. fifty-fifty is body, the physical, while Adam is mind. She is everything that pulls the soul toward the earth, while Adam is everything that helps it ascend toward heaven. In the garden, though, the twain are complementary rather than opposite.
there are two eventides in Paradise mazed, the firstly 1 the Eve before the fall and the second one the Eve after. The Eve before the fall contri only ifes to the fall by organism seduced by the serpent, and she eats of the tree of knowledge and causes Adam to do so.
The Eve after the fall is a different issue. She lead be the mother of mankind, and yet she now knows what this will mean. She has been told of God's passion and of the fact that human beings will now suffer and die, and she wants to ease what would be her children from such a fate. She suggests in Book X that she and Adam could save mankind by refusing to propagate--if they have no children, there will be no humankind to suffer.
this instant after the Fall, Eve seems changed, as K.G. Hamilton notes:
For Eve the results are a fast deprivation of judgment, she
Eve before the Fall is committed to disobedience, though she may not realize this (Peter 125). In the structure of Book IX, Satan is first introduced as he enters the real snake and so travels in disguise. Adam and Eve are then introduced, newly wake in the Garden:
appears as if drunk, and an even more rapid moral deterioration as she first thinks of deceiving Adam for her witness advantage and then grossly deceives herself as to her motives in sacramental manduction her discovery with him (Hamilton 76).
A resemblance of Eve with Satan shows how the two have different responses to certain questions and actions, showing Satan to be self-absorbed while Eve does have an ethical perceive that leads her to consider not only Adam but untold millions of descendants not yet born. Much of Paradise Lost is built on contrasts--God and Satan, Heaven and Hell, good and evil--and complementarity, such as between Adam and Eve. Milton also uses a variety of rhetorical devices to emphasize ideas and to indicate specific ideas about the characters and the situation. He uses a sense of direction in different forms to show the family between heaven and hell, between the denizens of each, and between the way characters are viewed and the way they view themselves. He also uses the device of upending to much the same result, contrasting ideas and building a comparison into the figure of speech itself.
Peter, John. A Critique of Paradise Lost. hot York: Columbia University Press, 1960.
The use of the discourse "lost" in the surname of the poem implies a loss, and obviously Satan has lost something even though he may claim it is better to harness in hell than serve in heaven. The further loss is embodied in the fall, again using a word indicating direction, this time a downward direction. Eve is the character nearly affected by the fall, and her reaction is quite different from that of Satan. It could be argued that each is defiant toward God in some degree, but Satan is defiant for his
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