The Glass Menagerie- " The play about an incomplete Family"

But Mr. Wingfield's abandonment do the public functioning of the family almost impossible.

The most immediate and pressing carry for the family is to replace the father in his economical role. His absence seizure has, of course, left many holes in the fabric of family life, besides the economic problem is so serious that it shoves everything else to one side. Amanda is non apt(predicate) to be able to support herself and her daughter, while Laura will probably never be capable of supporting herself at wholly.

griffon vulture says that Williams turns the events of the play "into a popular revelation nigh parent-child run afoul and brother-sister bonding" (22). But this revelation sends place because the family's situation does non allow for the more common kinds of conflict and bonding. Because they are eternally engaged in the struggle to provide for themselves in just about permanent way, the relationships among the family members take unusual directions. Amanda's conflict with tom turkey is not the usual residue over the parent's and the child's view of what is best for him. Instead, she is labored to try to use her authority and her powers of persuasion to keep him in the job that makes their bare existence possible.

In the arguments between Amanda and Tom she often begins as though they are having a difference of opinion about his direction in life--but she always ends by stressing the sim

ple necessity of having him continue in his hated job in order to support his family. She says, for instance, that she understands that he force not be happy at home. This is normal for a young man in his twenties. Amanda tells him, "I fill in your ambitions do not lie in the warehouse" but she concludes by telling him that life is very hard and "calls for dangerous endurance" (50). Seconds later she tells him that she becomes afraid when he appears to act comparable his father. It would, of course, be normal for a mother to want her countersign to make an effort in life or not to want him to turn out badly. But underlying all her arguments, as Tom understands, is her need to have him support the family.

Amanda alike tries to be understanding about how young men might want adventure. But when she says, "Most young men lift adventure in their careers," she knows she is deliberately missing Tom's point and that she wants to track his life in a direction that will piddle economic safety for herself and Laura (51). Amanda lives with a number of illusions--such as the stories about her past--but she also knows the hard facts of life very well and has no illusions about what she needs to do to protect herself and her daughter. She is "a universal type, a mother with the characteristic qualities of devotion to her offspring and role to survive for their sakes," but she is also forced by helping to put many ordinary concerns aside (Griffin 23). She knows what she is doing to Tom in the same way she knew all along that Laura would probably not be capable of completing the course at the secretarial school. But she has to try every possible course scatter to her--even if it she has little hope for them. Had Laura been able to complete the course and take a job there would have been no need for Tom to stay at the warehouse. He would have been released from his immurement to the family's needs. Even though Laura's needs come first she is, therefore, onerous to meet
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