Name of StudentName of ProfessorSubject31 March 2008 fight and the CityPaintings and photographs ar pieces of artwork . As such(prenominal) , it has al charges attracted life . It has extend a theatrical of frankness . More importantly , it represents the time wherein these creative persons nuclear number 18 lifetime They created what they butt against , and through the artists eyes and sentiment , we atomic number 18 equal to witness what they ve seen as if it was proficient in front of usIn this slatter(prenominal)nly , the three photographs pack state of warfargon as the unifying paper Although several(predicate)ly expressed , distributively image portrays pain and helplessness , and with it a faint explode of hope for a pause tomorrow But the latter implication cannot be quick noticed at offshoot glance of the picture . When we reflection at them , we however see dismay and fright . They are a reminder of a life others were not commensurate to witness , a dread for others . They displayed this in either symbolical or upfront modality , but they neer failed to place the emotions involvedThe striking difference among these pictures , on the other hand resides on how they were presented . The first image by Goya made use of tippy colors and upfront litigate . Picasso s painting used of a lot of symbols . Meanwhile , the 9 /11 photograph captured a moment during the after box of the attack . These images each hand a different perspective , taking war from divers(a) angles . In the end , they all hypothesise war is never pleasantEvery artist has a responsibility for all(prenominal) piece of art they render More importantly , the artist who constantly depict the realities of war should be careful virtually their pieces . Unfortunately , paintings and photographs are works of art , and are avenues for license of exp! ression It should not be constrained .
But subtile that what they show in their works would either create or break their label as an artist can be very confining . However , if they let themselves be interpreted by this coyness , and did not risk the consequences , them they would not amaze been able to become masters in their fieldsIn my perspective , I believe that the artists should unfeignedly show the horror and brutality of war . We are at the age wherein being romantic and acute are no longer the focus of art . fuddled and provocative pieces are more the trade of art immediately . However , presumptuousness th at the other two pieces were created during a different period , it does not mean that being upfront most war only started in recent history . War is a occurrence of life , regardless of the time when they were created . It should not be cover with romanticized implications to depict war . There is no other way to present war as it is . We cannot position how it feels to be in the middle of one . We only have pictures to show us how is it like . It is the closest to reality as we can astonish , and it is a reality we have to faceThere are a lot...If you essential to get a full essay, ordination it on our website: OrderCustomPaper.com
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