What is this scoot, Six Degrees of Separation really about? Or moreover, who is this burgeon forth about? At scratch glance, one might word that this characterization, ?Six Degrees of Separation? (written by John Guare) is simply the boloney of a black American young man who cons his elbow room into the lives of a rich and (over) privileged white family in the piercingly separatist world of an art immersed New York apartment block.
The film starts, indeed with this attitude towards Paul, and Flan and Ousia Kittredge ? a simple, even overrated intrusion by a black con artist. Delving a little further, the humor of racism emerges perhaps.
One recurring theme in the film is the idea of ?Chaos and Control?, the Kandinsky. The delineation is at first displaying the ?controlled? side of the canvas ? it makes you wonder how often the Kittredge?s truly flip the painting to the ?chaotic? side. However, when Paul walks into their lives, the painting does bring down flipped, the Kittredge?s ordered, structured, controlled world turned chaotically upside down. The consultation can see these changes as the film progresses ? in the sure play, the Kandinsky was not removed from the stage and in various scenes the painting was flipped to comply with the mood of the Kittredges.
As the movie progresses we see a recurring theme, that of the idea of Six Degrees of Separation, the idea first rear forward in 1929 by Hungarian author Frigyes Karinthy. This conception states that the social distances are indeed much smaller than we mobilise ? the idea that there stands only six people surrounded by you and the rest of the world ? ?a conversance of a friend?, six times over. Three, seemingly unrelated parents meet, brought together by Paul, and as is revealed later in the film, Trent...
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