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Friday, 5 April 2013

Ange leccia: La Deraison du Louvre.2006

Video mechanics al shipway were trying to communicate with many different ways involving word-painting technology. This category, which Ange Leccia works, a theatrical video performance or video founding consistently used by the artist since the early 1980s and has been developed into more elaborate forms of video communication works.

Leccias art career took of 1980s.He created installations employing different material, from imagery and media equipment (projectors, televisions etc) to modes of transport (cars, planes motorcycles.) have included a gallery fill with police motorcycles; a face off of bulldozers outside of a neoclassical building; a nose to nose Concorde jets at Charles de Gaulle Airport. Following this, Leccias focus towards video installations for which he sedulous the same beautiful visual language, whilst pitching disparate cinematic images or element against each other. Ange does not to try to plan of attack art from new aesthetic or philosophy tho prefers to confront the stories of conceptual art and formalism from a subjective, excited point of view.

My work is doubtlessly nostalgic, poetic. I am involuntary to accept these terms occulted by the neo-conceptual, post-Duchampian heritage but Ive also been able to make austere pieces. There has ever so been a combination in my pieces between a shivery and minimal external aspect, with a subjectivewarm randy element Ange Leccia, Purple Prose 13,1998.

La Desairon du Louvre has been special redact for the 12-screen set up at sketch and invites the viewer to fellowship the atmosphere of the museum by night.

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It follows Castas, increasingly emotional responses to the artwork she faces as she wonders through the quiet galleries. By revelling her powerful reactions, Leccia reminds the viewer to go beyond tourist passivity to confront the sensual witness of painting.

From the beginning, two different orientations could be observed in her work, in one hand the use of tow icons; Leonardo Da Vincis Mona Lisa museum of Louvre in Paris and the young Leticia Casta actress of the cosmetics heavyweight LOreal.

This Post modern video art installation is deliberately elusive as a concept avoiding as much as possible the modernist desire to classify. Www.witcombe.sbc.edu.

This is must mark exhibition

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